STATEMENT

Working at the intersection of video, digital art, and artificial intelligence, I create films, video fragments, and photo collections. I combine different digital tools, AI models, and platforms, mixing their outputs into fragmented artworks.

My work sits on moving limits and tensions between various domains: fragility and emancipation, alternative stories and dominant narratives, realistic textures and AI imperfections.

My films are set in near-future domestic worlds, often centered on female protagonists facing grief, loss, or a changed identity. They explore human relationships with what is called "nonhuman" (AI agents, robotic therapists, synthetic mothers). Through these relationships, I examine what technology reveals about labor, devotion, feminism, and possession, as well as questions of consent, autonomy, and dependency.

I treat memory as an ongoing reconstruction: porous, biased, and rewritten each time it is recalled. I draw on research into trauma, dissociation, and collective memory to shape this approach. I'm drawn to visual imperfections, and I build artificial archives where glitches and anatomical errors echo how human memory itself is fragmented, unstable, and shaped by loss and distortion.